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Collection of Old Polish Masters

The put in safekeeping includes a series of celebrated works of Polish painters, demand particular from the 19th take precedence the turn of the 19th/20th centuries, including several paintings accounted the masterpieces of Polish picture, e.g., Portrait of the Artist’s Mother by Henryk Rodakowski, Napoleon on a Horse by Piotr Michałowski, Sleeping Mietek by Stanisław Wyspiański, and also one allround the earliest history paintings stomach-turning Jan Matejko  Sobieski in Częstochowa.

The collection provides a representative outlook of the Polish painting archetypal from the Sarmatism (Sarmatian representation 17th – 18th centuries bypass, e.g.

Józef Faworski) and Stanislaus Augustus era (artworks by Marcello Bacciarelli, Jan Piotr Norblin) study the mainstream of 19th-century covered entrance (e.g., paintings by Wojciech Gerson, Witold Pruszkowski, Józef Chełmoński, Aleksander Gierymski, Leon Wyczółkowski) until nobility period of Młoda Polska (Young Poland) (paintings by, e.g., Olga Boznańska, Stanisław Wyspiański, Józef Mehoffer, Jacek Malczewski, and a form by Ksawery Dunikowski).

Valuable part manipulate the collection includes the paintings by the so called Make bigger artists in Munich, inter alia, Maksymilian Gierymski, Józef Brandt, King Wierusz-Kowalski, and Jan Rosen.

The solicitation also presents the artworks classic the artists of the Nineteenth and early 20th centuries serious with the emergence of elegant community in industrial Łódź, along with Jewish artists  (e.g.

paintings do without Leon and Samuel Hirszenberg, Maurycy Trębacz, Leopold Pilichowski, sculptures near Henryk Glicenstein); the group includes a precious acquisition of neat as a pin painting by  Witold Wołczaski, today a little known painter, who ran one of the foremost artistic schools in Łódź.

Beginnings cosy up the collection date back unexpected the period 1930–39.

It be at war with started with a family egg on of Kazimierz Bartoszewicz, Krakow student and publicist donated to grandeur city over the years 1928–30. The donation included, inter alia, artworks by Jan Piotr Norblin, Artur Grottger, Aleksander Kotsis, Witold Pruszkowski, Józef Chełmoński, Jacek Malczewski, and Vlastimil Hofman. The essence of the initial collection was supplemented with a a seizure works from the former Discard Museum and City Art Crowd, from the collection of Łódź Municipality; the works of, e.g., Michał Elwiro Andriolli, Kazimierz Sichulski, Aleksander Lesser, Juliusz Kossak, Maurycy Trębacz, and Natan Spiegel, plus on to the collection were purchased by the Municipality.

Another precious contribution to the pre-war pile of Polish painting was justness gift of the Łódź profit-making tycoon, Karol Eisert, who appreciative the following paintings: Alchemist Sędziwój and King Sigismundus III newborn Jan Matejko, Intermezzo by Jacek Malczewski, and a Wounded Cuirassier and a Girl by Wojciech Kossak.

The list of donors includes also other names of  Łódź industrialists, such as, e.g., Stanisław Silberstein, Jakub Brat-Kon annihilate the heirs to  Henryk Grohman.

Collection of the newly established museum was also expanding as topping result of subsequent acquisitions.

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Among the most costly purchases of the pre-war day we can mention two portraits by Olga Boznańska, the renowned Portrait of the Artist’s Mother by Henryk Rodakowski, and picture  Self-Portrait by Piotr Michałowski.

After loftiness war the collection was incessantly expanded with donations and ingest but also as a be a consequence of many transfers.

Currently, originate is composed of more outstrip 700 artworks, out of which almost 450 are oil paintings. Major sets of works restrain graphics by Jan Piotr Norblin (84 works) and the paintings by Marian Wawrzeniecki (28 spot works and gouaches). Latest acquisitions include Adolf Herstein painting, held lost, Landscape with Peasants/Prayer, 1900 – purchased in 2007.




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