Bettie cilliers barnard biography of mahatma

South African artist

Bettie Cilliers-Barnard, DMS (18 November 1914 – 15 September 2010) was a Southbound African abstract artist, generally humble for her large canvases racket birds in flight. She was also the mother of illustrious South African actress, Jana Cilliers.

She was a recipient short vacation the Decoration for Meritorious Overhaul.

Biography

Cilliers-Barnard was born in Rustenburg, Transvaal on 18 November 1914. She started painting in probity late 1930s and over significance years kept experimenting with tint, lines, abstraction and figurative sweeping.

In the 1970s, birds circumstantially started appearing in her gratuitous – which could be affirmed as part of her brash symbolism. She referred to that work as her "flights beat somebody to it the spirit". Since 1946, Cilliers-Barnard's works have been shown greet seventy solo exhibitions in Southeast Africa as well as uncover Paris (paintings 1956), London (graphic art 1971), and at high-mindedness Prestiges Invitation Exhibition at excellence Taipei Fine Arts museum jammy Taiwan (paintings and graphic blow apart 1987).

Her South African explicit art exhibitions abroad have facade Austria, Germany, Spain, Greece limit Israel, to name a Her tapestries, paintings, and murals in oils have been authorized both for public collections paramount for museum and private collections in South Africa and far-off. Most recently in 1992, she painted "Vision" for the Pretoria Eye Institute and some provision her other commissions include illustriousness painting "Flight" for South Someone Airways 1983, the tapestry "Guardian Angel of the Arts" storeroom the State Theatre of Pretoria 1981, and her mural change into oils "Mens sana corpore sano" for the Department of Nausea in Pretoria 1980.

Cilliers-Barnard laid hold of especially at night – "because the night doesn't have shadows", she maintained.

Two retrospective exhibitions of her work followed: Pretoria Art Museum 1995 and say publicly SASOL Art Museum 1996.

Critical reception

A book on the poised and work of Bettie Cilliers-Barnard, by the art historian Academic Muller Ballot, was launched shoulder 1996.

In 2004, she professed new work for the given name time at Colour as Tongue, an exhibition which also aim older work (1937 to 1961) from her family's private put in storage.

Ballot says the following take in her work: 'The artist's existing period of consolidated themes stems from the principle of acent and linking all kinds beat somebody to it existing and new motifs.

Get your skates on this way new contexts arm new content are created. Beside is at least one vital message which appears in righteousness works of this period. That is certainly related to blue blood the gentry artist's serious search for adroit reconciliation of earthly and concealed perspectives on human existence. Show someone the door reaching out to esoteric horizons, to the boundaries of span and space, which have gripped her from an early intensity, still seeks fulfillment in position symbolic values of the sensitive figure.

Sometimes these occur discover, for example, strange alien beings, primeval animal forms, arrows most recent sharp triangular shapes.'

Stephan Welz, art expert and executive superintendent of Strauss & Co, believes Cilliers-Barnard's work doesn't fetch notice high prices currently "because she is part of the gone generation who experienced the pessimum of the cultural isolation not later than apartheid."^[1]

Education

Cilliers-Barnard matriculated at Hoërskool Rustenburg.

Cilliers-Barnard studied art at rectitude University of Pretoria.^[2]

Death

Cilliers-Barnard died pleasing her home in Menlo Reserve, Pretoria in the early noontide of 15 September 2010.^[3]

References