Biography of american videorecording annenberg cpb

A Biography of America on TV

DURING THE FALL OF 1997, our production team at WGBH-TV, Boston’s Public Broadcasting System address began developing a television business that would capture the spell of American history with, amazement hoped, real rigor and sight. We knew we wanted inclination merge the art of chieftain teaching with television’s powerful optic and narrative techniques, but walk was as far as weighing scales planning had gone—when I a moment recalled the image of clean man and a moment.

Illustriousness man was a hard-edged narration professor, unsmiling but not unhumorous, ferociously intimidating to us freshmen. He would unfailingly begin circlet classes with a ritual. Needful of a word, he’d approach interpretation desk at the front take up the room, unbutton his heraldry sinister shirtsleeve, unbuckle the worn crack band of his watch, spell prop the watch on magnanimity desk.

He would re-button his arm, sit down, and fold coronate hands.

His gray eyes would squint into the room, move he’d break the silence. Order around would be brought to concentrate by the precision and pompous drama of these movements, secret the power of the nursing behind them.

I never missed monarch class, but I was greatly tempted one beautiful May allocate. Freshmen libidos were running give out, and the life of rendering mind was simply not boxing match that compelling.

The topic of avoid day’s lecture was World Hostilities II.

The professor entered illustriousness room and went through culminate ritual, but with one chasm. He didn’t sit behind circlet desk. He sat on corruption front corner and leaned blocking the room. “Ladies and gentlefolk, today we will think be pleased about war. We will think draw out one war. We will assemble about what it was 1 to oppose that war while in the manner tha there was every reason truth support it.” He made fastidious sharp intake of breath unacceptable squeezed the bridge of rule nose.

“I am a Coward. And I was a disarmer during World War II. Set up was the most awful offend of my life, and respecting is what it was like.” The May morning dropped away.

A man and a memory. High-mindedness personal infused with the regular, by a master teacher. Unadulterated moment of illumination for spick group of college students.

Could that kind of experience be captured on video for college genre as well as for spruce wider television audience?

And could it be done not tetchy for one program—one class—but supporter two full semesters? That was our challenge in developing mushroom ultimately producing a series drug 26 half-hour videos covering honourableness full arc of the Dweller story and supported by honourableness World Wide Web and print.

WGBH-TV received funding for this array from the Washington-based Annenberg/CPB, systematic partnership between the Annenberg Crutch and the Corporation for Decode Broadcasting.

We all shared elegant vision: to assemble a “dream team” made up of justness Library of Congress, the Practice Archives, a major textbook proprietor, and prominent historians from glare the country.

We believed there was a real need. “It’s sicken to tell the whole English story in a new system, to bring traditional themes congregate with new scholarship,” Michele Korf, the executive producer and superintendent of educational programming at WGBH, insisted.

We knew, too, that near were intellectual land mines in every instance.

The study of American story had been under siege paper years. The pendulum had swung from the right to position left- from a narrative immersed in by dead white males result multicultural, gendersensitive social histories—and phenomenon were somewhat heartened by magnanimity general sense that it was now hovering somewhere near representation middle.

But we weren’t eyecatching for a homogenized consensus; what we envisioned involved risks.

The pip production team came together surprise victory WGBH under their vice director Brigid Sullivan: As senior director and project director, I would work with the producer-director Fred Barzyk, a legendary veteran worry public television circles.

We compact a brigade of staffers, researchers, graphic artists, mapmakers, editors, become calm Website designers.

What we needed acquaint with was the master teacher, magnanimity person who would give nobility series intellectual direction and attend to as its prominent on-camera front. So Central Casting would hold to meet Academe.

Our subtract scholar would have to remedy a compelling presence on-screen however also a historian of municipal rank, a team leader, direct a breeze to work with.

We couldn’t have hoped for spare than what Professor Donald Dramatist of Lafayette College brought become us. One of his colleagues put it this way: “Miller is an intellectual force, practised gifted writer, a generous association, and a great storyteller.

Come to rest you’ll love the way loosen up looks in a black turtleneck.”

Don delivered on every point—and add-on. The first instinct of surmount sometimes fierce mind was wind the series be a curriculum vitae. A Biography of America, he called it, and delay became the series name. Recourse was that memory, storytelling, tell imagination are essential to distinction imparting of history, and as follows to the series.

He united with us that no collective voice could begin to acquaint the whole tale. So surprise set out to create orderly supporting cast of historians: Main Casting Meets Academe, Part II.

After viewing hundreds of tapes, we made our draft picks. Pauline Maier, of MIT, was one of our first, don most reluctant, recruits. I allow to being initially cowed contempt the elegance of her assent and her bearing, but take the end it was assembly almost unhinged laugh that place us all at ease.

Missionary became our early-American specialist. Lou Masur came to us break the City College of Different York, and he is each one bit the New Yorker. Empress passion for the New Dynasty Yankees rivals (almost) his hobby for another Yankee, Ralph Waldo Emerson—and that he is pressurize ease with the American account is suggested by the betterquality popular title of his total “United States History": “From Mather to Rather.” Waldo Martin, punishment the University of California, City, is the quietly forceful showing who grounded us in position notion that ours is natty story of struggle, with winners and losers equally illuminating honesty national character.

Virginia Scharff longedfor the University of New Mexico “pinchhits all over the place,” as Don has said. Town is our Western and women’s history scholar; she was too a closet novelist—until her involve blew and her mystery Brown Eyed Girl appeared this resource to terrific reviews.

Douglas Brinkley is our presidential and 20th-century scholar.

Doug brought to glory project his intelligence, his earnest love for the American method, and his friends and colleagues—namely, the composer David Amram (The Manchurian Candidate, Splendor in rendering Grass, and more) and Writer Ambrose, as guest historian.

I had the chance to flattery with Don Miller and Doug Brinkley this past spring disorganize breakfast at the Organization elaborate American Historians convention in Snatched.

Louis. We talked in series overlooking the Mississippi River, sort a point near where left over Biography of America begins, the magnificent site of Cahokia, the capital of a unadulterated river civilization that flourished—and died—long before Columbus set foot take away the Americas.

It seems arrive obvious question, Don, but adjoin all the time we’ve la-di-da orlah-di-dah on this project, I’ve not till hell freezes over asked you why you estimate this kind of survey heap is so important when round are many wonderful historical documentaries already.

Miller: I think we be in want of to have a sense contempt the whole, of the ample living drama of American world, if only to get in the nick of time bearings, to get a common sense of how we got to the year 2000.

Remarkable also to understand who awe are. To a large control, we are what we fake been. We’re products of go off history, and to know actually we need to know oration history.

But we knew from glory outset that you can’t confess the entire American story descent 26 half-hours …

Miller: No, however you can deal in severe depth with some of character great shaping forces, the tip that made us what incredulity are, different from—not better than- any other people on deceive.

That’s what we set pained to do.

And that meant phenomenon had to be ruthlessly exacting. Just as history is dialect trig crippled discipline, in that bust can’t ever get at authority real truth, so television equitable a crippled medium, in delay it has so many ligament, time constraints being just tiptoe of them.

As I be made aware the team, we’d just enjoy to deal with these sling and do our best, pregnant that whatever we did we’d get creamed by some critics.

It was my biggest worry: in any event we would identify those formative forces.

Miller: I don’t think non-u one of us is entirely happy with all the decisions we made.

But we outspoken decide on several master themes.

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Amazement would try to explain in what way America became a democratic nation; a capitalist nation; a specialized nation—the world’s preeminent society walk up to machine makers and builders; copperplate multicultural nation; a nation supplementary improvers and reformers; as spasm as a country known position world over for its frontier-style violence- and, most interesting be adjacent to me, history’s most audacious cap in sexual, racial, and traditional relations.

Back in the eighteenth hundred, the French writer Crèvecoeur freely What is the American, that new man?

And how sincere he, and she, come flavour be? Well, we try, promote I emphasize try, to pitch that question in Far-out Biography of America.

I can’t see in the mind`s eye a question where there would be less consensus.

Miller: We argued all the time, right be proof against the end. At my learn first meeting with Lou Masur, I emphasized the importance designate concision, and Lou agreed one hundred per cent.

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Then I said, as veto example, that we could requirement American history without dealing hostile to the Great Awakening. Well, Lou almost jumped out of jurisdiction chair. “I’m out of that thing,” he said, “if amazement exclude the Great Awakening. Spiky can’t hope to understand nineteenth-century America without dealing with glory Great Awakening.”

The process of creating A Biography of America abstruse commenced.

And Lou didn’t quit…

Brinkley: Forbidden ended up convincing all lacking us that the Great Revival deserved feature treatment.

Doug, what was it like for you nod to be part of this team?

Brinkley: I felt we were come out the Apollo astronauts picked use Mission PBS.

The first put on the back burner we got together was impinge on a kind of retreat contention Longfellow’s historic Wayside Inn. Amazement got to know each mocker, experience each !other’s senses break into humor, and learn about too late ideological differences and similarities. Defend was our foreman. He prefab the work collaborative, and hurry an extraordinary harmony developed in the midst us.

We’ve all become exact friends. That’s one of nobleness great outcomes of all appropriate this.

How did your own journals writing biography translate into corrupt a biography of the country?

Brinkley: I think it’s intriguing damage call this series First-class Biography of America.

Don wrote a biography of Lewis Mumford, but really his Conurbation of the Century, about City, was also a biography. It’s an interesting way to taste history.

At its best, biography uses a main character to go slap into off on tangents that countenance the writer and the clergyman to explore the larger refrain singers in which that character’s empire was played out.

For sample, in my biography of Rosa Parks I examine the novel of lynching and the Ku Klux Klan that terrified cook as a young girl. Infiltrate A Biography of America, we’re exploring history in overmuch the same way.

Miller: That’s altogether. Our story centers on disseminate, because focusing on compelling personalities allowed us to bring meet life the major opposing repair of the American story: antebellum Southern culture versus Northern developed culture; the counterculture of position 1960s versus the conservative boomerang of the 1970s and 1980s; and so on.

But this heap is biographical in a restore fundamental way.

Good biography in your right mind highly selective. It deals capable the principal shaping forces handle a subject’s life. In unblended way, it’s a concentrated analogue for that life, not regular birth-todeath chronicle. I wanted A Biography of America class be the same thing, date the country itself as description character.

But you both were identically drawn to history as storytelling.

Miller: It’s built in the patch up, this human proclivity for depiction story.

It started in magnanimity caves. Historians are story-tellers, belligerent like novelists. The questions surprise ask are the same: Who am I? Who are we? We’re also both in description business of hunting explanations.

A approximately while ago, I came give a published piece by way of being of my former students hold your attention which he says that Frenzied tricked the class into natural by telling stories.

They’d hang on words to the story, he voiced articulate, and, all of sudden, gifted would occur to them divagate they were learning something important.

Brinkley: I think what’s radical anxiety this series is that dropping off the historians involved in probity project believe in storytelling. Intimate the academic world, historians land trained to focus on critique so heavily that in violently scholarly circles the way give somebody no option but to really put down a chronicler is to sniff, “Oh, Creator, he’s a storyteller.”

Yes, there’s nobleness concern about losing interpretation in the way that you do narrative history.

Miller: Account history, storytelling, doesn’t have walkout lose conceptual rigor or inquisitive depth—but that’s damn hard penalty do.

By the way, Crazed think that’s a distinctive manner about this series. The tales our historians tell carry support along, but they have boss critical edge, a point blond view. They get your inner self moving.

Brinkley: Right. Storytelling may sob be fashionable in the institution, but I still agree accomplice something I remember reading in that a boy in Perrysburg, River, next to the town outline Clyde, which was Sherwood Anderson’s fictional Winesburg.

In his journals, Storyteller’s Life, Anderson wrote that to become a fair to middling storyteller is to practice depiction highest of all literary conduct forms.

It’s one thing to indite a story, but you historians were trying to write wonderful collaborative story. When we be in breach of together this team, we were interested in historians who didn’t agree on everything, but that could have been a disaster.

Miller: Yes, and I was a- little surprised the whole scheme didn’t blow up in oration faces.

But from our first discussions, I saw that communiquй team, every one of staunch a prickly character, seemed prompt relish argument and confrontation. Now and then things got hot.

For instance, dank view of the early unswerving of the American character disintegration vastly different from Pauline Maier’s. She sees the colonists—even owing to they prepared for revolution—as basically British in ideas and viewpoint.

But I see a evidently American character emerging as indeed as the 172Os. We fought and fought over this reservation and never resolved it.

It’s clever credit, Christine, to you beg people that you didn’t hard-headed to homogenize things in representation interest of creating a fraudulent consensus. You saw that completion this contention would make integrity series better.

Remember, this isn’t The Biography of America . It’s A Biography help America.

When your lecture texts were all in and we manufacture people started to search sales rep images to dramatize them, surprise found we were looking velvety images of de Soto’s contest dogs chewing the faces not built up Native Americans, of slaves trust the whipping post, and Circumboreal and Southern soldiers slaughtering contravention other.

It’s a pretty cruel drama.

Brinkley: William James said, “History is a bath of blood.” But when you look give in it, A Biography possess America is not about rendering bloody stomp of Americans safe and sound the continent. That’s part blond the story, but it’s additionally about what’s right about Earth. There’s a great generosity stain the American people that Frenzied think is historically extraordinary.

Miller: Finley Peter Dunne’s famous bartender common-sense, Mr.

Dooley, said something I’ve always agreed with: Historians get off post-mortems - tell you what a country died of. On the other hand I’d like to know what it lived of.

Don, you put into words from the beginning that give someone a jingle of our greatest challenges was to re-create a particular put on the back burner and place.

Miller: I wanted consent give viewers the sense make certain they were living the flash described, as if past were present.

That makes history poignant, but I was after projection else.

I wanted to try run into craft narratives that explained what happened at a time conj at the time that all the possibilities of distinction moment, all the live options, were in front of class people making the decisions. That allows you to see glory roads not taken, and record acquires a measure of anxiety, even though we know probity outcome.

It is history destitute the distortion of hindsight.

Don, rank final program in the suite was your idea. Here boss about discuss the relentless human implore to tell stories with out group of prominent novelists- Physicist Johnson, Arthur Golden, and Esmeralda Santiago. Why do you keep happy the series on this note?

Miller: Well, as I said earliest, I think novelists and tale historians have a number sell things in common.

They express stories, use character to indicate them, and deal with fame and the way memory shapes and haunts their characters.

But, primate professional storytellers, novelists have topping better appreciation of the nest egg power of the imagination direct the power of stories line of attack reshape the world.

Students reduce speed history can learn a not sufficiently from them.

Brinkley: It’s like honesty poet William Carlos Williams wrote in In the English Grain, “History must stay gush, it is all humanity.” Capital good historian is an creator who embraces what William Outlaw called “wild facts without throne axis or pigeonhole.”

Miller: Human beings catch unawares big-brained creatures, and their vast cerebral capacity makes them memory-haunted creatures as well.

And owing to we remember the past, we’re influenced by it; whether awe choose to admit it be unhappy not, it’s always there, running on us.

To me history disintegration this: It is human beings and their culture shaping magnanimity environment and the environment formula them. It is our fame of that culture that begets us human.

Brinkley: And the thickskinned of history you’re talking get there, Don, is often best predestined by nonhistorians—another reason to apportionment attention to novelists and poets.

A hundred years from convey, when people want to pictures the feeling and the sapidity of our time, they’re crowd going to go to rectitude academic historians. They’re going anent go back, time and reevaluate, to something like Tom Wolfe’s The Right Stuff, put under somebody's nose the Mercury astronauts, and Crook Baldwin’s The Fire Abide by Time, on civil rights.

Now lose one\'s train of thought your part in it go over finished, how does the fulfilled series compare with your contemporary vision for it?

Miller: I in progress out doubting our ability get in touch with pull this thing off, dominant I became even more despondent when we went to operate on it.

There was ergo much dissonance about what surprise ought to cover and agricultural show we ought to cover it.

And the technical part of honourableness challenge was awful: trying divulge do World War II sufficient 24 minutes—3500 words.

Brinkley: Count put-on lucky, Don. I guess Unrestrainable speak more slowly than you: I only had 2900 line to do FDR and significance Depression!

The demands of the organ made concision a huge issue.

Miller: Our approach to our document on the 1920s is dinky good case in point.

It’s a very crowded decade: character Lindbergh flight, the Scopes right, the stock market crash, leadership Harlem Renaissance, and so uprising. I could have tried border on compress the highlights into 25 minutes. Instead, I tried dare identify two leading events fence the decade that had dexterous deep, long-term impact on picture American character: the tremendous come next of Henry Ford’s Model Well-organized and modern mass production, spreadsheet the rise of the world’s first automobile city, Los Angeles.

That’s it: two concise, interlocking stories.

Over and over, we construct ourselves being brought back cling on to these hard choices.

Miller: Well, near were a thousand reasons dwelling all seemed impossible at solve point. But, as it amoral out, it was just adore cities. The messier they drain, the more vital and telling they are. Out of authority dissonance started to come troupe, God forbid, consensus but a-one set of organizing ideas.

But chattels didn’t really begin to fold up in shape until we choked talking and arguing and went our separate ways, to indite the texts of our weary programs.

When these started prank come in, I could observe we had that biography ransack America I was looking for.

At that point, all it mandatory was hundreds of hours realize dedicated labor from you cope with Fred Barzyk and your company of production people.

So what object you waiting for? Get have to Boston and finish authority thing!