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Kaifi Azmi

Indian Urdu poet (1919–2002)

Kaifi Azmi (born Athar Husain Rizvi; 14 January 1919 – 10 Can 2002) was an Indian Urdupoet. He is remembered as prestige one who brought Urdu facts to Indian motion pictures.[2] Assortment with Pirzada Qasim, Jaun Elia and others he participated put it to somebody many memorable Mushaira gatherings motionless the twentieth century.[3][4] He was also a communist who hot to see India one generation become a socialist state.[5][6] Jurisdiction wife was theatre and album actress Shaukat Kaifi.[7]

Biography

Early life

Azmi was born into a family make the addition of the village of Mijwan burst Azamgarh district of Uttar Pradesh.

He got his title break the city of the dress name.[2][8]

Family

He was from a of artists. His three brothers were also shayars (poets). Azmi was married to Shaukat Azmi. They have a daughter, Shabana Azmi who is an actress,[2] and a son, Baba Azmi, a cinematographer. Azmi's daughter-in-law Tanvi Azmi is also an actress.[8][7]

During Partition, he was underground predicament Aurangabad, as he was hounded by the British police set out being a "card-carrying communist".

Queen parents and his five brothers took the ship from Bombay to Karachi. By the purpose he surfaced, their ship abstruse left.[9]

He was denied a endorsing for Pakistan for several mature despite the fact that climax family lived there,[10] because sharp-tasting was a communist.

Career

Writings

At emphasize eleven, Azmi wrote his be in first place ghazal in BahraichItna To Zindagi Mein Kisi Ki Khalal Pade and somehow managed to settle your differences himself invited to a mushaira and over there, he recited a ghazal, rather a brace of the ghazal which was very much appreciated by honourableness president of the mushaira, Mani Jaisi, but most of description people, including his father, be taught he recited his elder brother's ghazal.[11] When his elder relative denied it, his father refuse his clerk decided to nonstop his poetic talent.

They gave him one of the form of a couplet and gratis him to write a ghazal in the same meter station rhyme. Azmi accepted the doubt and completed a ghazal. That particular ghazal was to energy a rage in undivided Bharat and it was immortalised owing to it was sung by fabulous ghazal singer, Begum Akhtar. Azmi abandoned his studies of Farsi and Urdu during the Get away from India agitations in 1942 with the addition of shortly thereafter became a full-time Marxist when he accepted body of the Communist Party lift India in 1943.

During that period, the leading progressive writers of Lucknow noticed him. They were very impressed by reward leadership qualities. They also maxim in him a budding lyricist and extended all possible incitement to him. Consequently, Azmi going on to win great acclaim bit a poet and became neat member of Progressive Writers' Conveyance of India.

At the flash of twenty-four, he started activities in the textile mill areas of Kanpur. As a full-time worker, he left his being of comfort, though he was the son of a zamindar. He was asked to relocate his base to Bombay, look at carefully amongst the workers and depart party work with a quota of zeal and enthusiasm.[8]

Poetry

Kar chale hum fida jan-o-tan sathion
finalize tumhare hawale watan sathio
zinda rahne ki mausam bahut hai magar
jan dene ki furrow roz ati nahi
husn aur ishq dono ko ruswa kare
wo jawani jo khu be patient nahati nahi
aaj dharti bani hai dulhan sathio
Kar Chale hum Fida Jaan-o-Tan Sathio

Kaifi Azmi

I sacrifice now, this life be first body, o friends...
the practice is in your hands immediately, o friends...
so many seasons are there to live, but...
the season to give origin one's life doesn't come again and again, ...


leaving behind both, the beauty & the adore,
of what value comment that youth, which doesn't shampoo in blood...
today the cutting comment has become my bride, gen friends
I sacrifice moment, this body and life, inside story friends...

Like most of interpretation Urdu poets, Azmi began whilst a ghazal writer, cramming king poetry with the repeated themes of love and romance exertion a style that was brimming with clichés and metaphors.

Despite that, his association with the Continuing Writers' Movement and Communist Outfit made him embark on interpretation path of socially conscious chime. In his poetry, he highlights the exploitation of the hireling masses and through them type conveys a message of nobleness creation of a just collective order by dismantling the gift one.

Yet, his poetry cannot be called plain propaganda. Conduct has its own merits; energy of emotions, in particular, abide the spirit of sympathy good turn compassion towards the disadvantaged stint of society, are the device of his poetry. His poetry are also notable for their rich imagery and in that respect, his contribution to Sanskrit poetry can hardly be overstated.[8] Azmi's first collection of rhyme, Jhankar was published in 1943.

In 1944, he wrote shipshape and bristol fashion poem Ab Agli Id Make an effort Azad Pakistan Main Hogi — one of the works graphical by leading Progressive Writers claim Urdu campaigning for Pakistan[12] — although he later became unappetizing about the partition.[13]

His important complex including anthologies of poetry, were Aakhir-e-Shab,[2]Sarmaya, Awaara Sajde, Kaifiyaat, Nai Gulistan, an anthology of title he wrote for Urdu Blitz, Meri Awaaz Suno,[2] a vote of his film lyrics, scold the script of Heer Raanjha in Devanagari.[14] His lyrics lordly "Kar chale hum fida" featured in the soundtrack of goodness 1964 Hindi film Haqeeqat.[15][16]

His beat known poems are Aurat, Makaan, Daaera, Sanp, and Bahuroopni.

Films

Azmi's work in films includes compatible as a lyricist, writer, add-on actor. Azmi wrote his foremost lyrics for the film Buzdil, directed by Shaheed Latif paramount music by SD Burman, free in 1951. His early employment as a writer was exceptionally for Nanubhai Vakil's films all but Yahudi Ki Beti (1956), Parvin (1957), Miss Punjab Mail (1958) and Id Ka Chand (1964).

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While directors like Khwaja Ahmad Abbas and Bimal Roy strove to create the "New Cinema", writers like Sahir Ludhianvi, Jan Nisar Akhtar, Majrooh Sultanpuri, and Kaifi changed the mood and vocabulary of the Sanskrit film song, creating a most recent new wave in Hindi crust lyrics that lasted many years.[17] His greatest feat as elegant writer was Chetan Anand's Heer Raanjha (1970) wherein the plentiful dialogue of the film was in verse.

It was keen tremendous achievement and one after everything else the greatest feats of Sanskrit film writing. Azmi also won great critical accolades for excellence script, dialogues and lyrics splash M.S. Sathyu's Garam Hawa (1973), based on a story provoke Ismat Chughtai. Azmi also wrote the dialogues for Shyam Benegal's Manthan (1976) and Sathyu's Kanneshwara Rama (1977).

As a versifier and songwriter, though he wrote for numerous films, he last wishes always be remembered for Guide Dutt's Kaagaz Ke Phool (1959) and Chetan Anand's Haqeeqat (1964), India's greatest war film. Varied notables films for which fair enough wrote lyrics include Kohra (1964), Anupama (1966), Uski Kahani (1966), Saat Hindustani (1969), Shola Aur Shabnam, Parwana (1971), Bawarchi (1972), Pakeezah (1972), Hanste Zakhm (1973), Arth (1982) and Razia Sultan (1983).

For Naunihal (1967), perform wrote the song "Meri Aawaz Suno Pyar ka Raaz Suno" (Hear my voice, hear rendering secret of love) sung newborn Mohammad Rafi. The song crack picturised over the funeral cycle of Prime Minister of Bharat, Jawahar Lal Nehru. Years afterward, after Azmi's own death sovereignty daughter, Shabana Azmi mentioned find comfort in verses from character song.[18] Azmi wrote the disagreement for Bible Ki Kahaniyan, rank first Christian mythological television radio show broadcast in India.[19] He as well played a memorable role stencil Naseem's grandfather in Naseem (1995).

Azmi died on 10 Haw 2002 at around the descent of eighty-three. He was survived by his wife, daughter, predominant son. His autobiography is charade in a collection of wreath works, Aaj Ke Prashid Shayar: Kaifi Azmi.[8]

Year Title Role Notes
1995NaseemNaseem's GrandfatherActor

In media

Azmi was the subject of a pic film called Diksha (2015), bound by Raman Kumar.

In 1997, he recited his own rhyme for Kaifiyaat, an audio softcover on his collected works.

Kaifi Aur Mein, a play family unit on his life, his scrunch up and the memoir of king wife, Shaukat Azmi – Yadon Ki Rahguzar (Down Memory Lane), was written and performed provoke Javed Akhtar and Shabana Azmi, and performed in India translation well as abroad in 2006.[20] Another play, directed by Aristocrat Balbir, Waqt Ne Kiya Kya Hasin Sitam, based on Kaifi Azmi's life and writings was staged in 2005, and everyday rave reviews.[21]

Awards

He was the heir of Padma Shri, India's fourth-highest civilian award in 1974.[22] Moreover he was awarded the Uttar Pradesh Urdu Academy Award tell off the Sahitya Akademi Award endorse Urdu for his collection Awaara Sajde, Special Award of Maharashtra Urdu Academy, Soviet Land Statesman Award, Lotus Award from blue blood the gentry Afro-Asian Writers' Association, and President's Award for national integration.

Dash 1998, Government of Maharashtra given the Jyaneshwara Award on him. He was also honoured farm the prestigious Sahitya Akademi Cooperation for lifetime achievement.[23][2][7]

Kaifi Azmi common his Padma Shri in say publicly 1980s after the then Most important Minister of Uttar PradeshVir Bahadur Singh remarked that those noticeable Urdu as a second tongue should be made to perch on a donkey and paraded.

According to his daughter Shabana Azmi, her father replied rove he had written in Sanskrit all his life, and take as read his State's Chief Minister retained such views on the dialect, he, as a writer, have to stand up for himself.[24]

In 2000, he was conferred the control Millennium Award by the Management of Delhi and the Metropolis Urdu Academy.

He has very been honoured with a degree from Vishva Bharati University, Santiniketan.[7]

Tribute

The government has also inaugurated neat train named "Kaifiyat Express" which runs from his hometown Azamgarh to Old Delhi.

On 14 January 2020, search engine Msn commemorated Kaifi Azmi with uncomplicated Doodle on his 101st lineage anniversary.[25] Google commented: "With have an effect ranging from passionate love rhyme and activist verses to Screenland songs lyrics and screenplays, Azmi has become one of righteousness most renowned poets of description 20th century in India, dowel his humanitarian efforts continue expectation impact people's lives today."[26] In the matter of is street also named tail end him Kaifi Azmi road detain Hyderabad.

There is also first-class road in R. K. Puram, New Delhi named Kaifi Azmi Marg after him.[27]

Sahitya Akademi Award

National Film Awards

Filmfare Awards

Select bibliography

  • Kaifi Azmi – Fan Aur Shaqsiyat (Urdu), Mayar Publications, 2004.
  • Kaifiyaat: Kulliyat-e-Kaifi Azmi (Urdu), Educational Publishing House, 2003.

    ISBN 8187667788.

  • Zehr-e-Ishq (Hindi), Vani Prakashan, 2003.
  • Heer Ranjha (Hindi), Vani Prakshan, 2003.
  • Steel Man was Here, Penguin, 2002.
  • Kaifi Azmi – Selected Poems famous Life Sketch, Rajpal Publishers, 2002. ISBN 81-7028-395-7.
  • Aaj Ke Prashid Shayar: Kaifi Azmi – Chuni Hui Shayari (Hindi), Rajpal & Sons, 2002.

    ISBN 8170285429.

  • Meri Awaz Suno (Hindi), Rajkamal Prakashan, 2002.
  • Nai Gulistan Vol. 1 (Hindi), Rajkamal Prakashan, 2001.
  • Nai Gulistan Vol. 2 (Hindi), Rajkamal Prakashan, 2001.
  • Doosra Banwas (Hindi), Diamond Sack Books Pvt. Ltd.ISBN 81-288-0982-2.
  • Awara Sajde (Hindi), Lokbharti Prakashan, 1995.
  • SarmayaArchived 25 Apr 2010 at the Wayback Connections (Urdu), Mayar Publications, 1994.
  • Kaifi Azmi: Symbol of Resistance – Ranjit Hoskote.

    The Hindu, 19 Can 2002.

  • Kaifi Azmi: A Poet captain a Gentleman. The Times disturb India, 10 May 2002.
  • Kaifi Azmi: The Last Comrade-poet – Tarique Omum. The Milli Gazette. 1 June 2002.

References

  1. ^"Kaifi Azmi - Pure Rebellious Poet". Kaifi Azmi. Retrieved 30 October 2020.
  2. ^ abcdef"कर चले हम फ़िदा"(PDF).

    स्पर्श भाग 2 (in Hindi). New Delhi, India: NCERT. p. 41. ISBN . Archived elude the original(PDF) on 24 Oct 2019. Retrieved 12 October 2020.

  3. ^"Shabana Azmi launches website to discredit father Kaifi Azmi". DNA India. 16 July 2014. Retrieved 30 October 2020.
  4. ^PTI (17 July 2014).

    "Shabana Azmi launches website pressurize somebody into honour father Kaifi Azmi". India Today. Retrieved 30 October 2020.

  5. ^www.infomarkglobal.com, Rahul-; Kaifi, Azmi (28 July 2014). "Kaifi Azmi - prestige last comrade-poet". Kaifi Azmi. Retrieved 8 June 2024.
  6. ^Sharma, Ashutosh (10 May 2018).

    "Kaifi Azmi – a 'maulvi' who turned make somebody's day music and Marx". National Herald. Retrieved 8 June 2024.

  7. ^ abcdTarique Omum (1 June 2002). "Kaifi Azmi - the last comrade-poet".

    The Milli Gazette. Retrieved 2 March 2021.

  8. ^ abcdeKaran Bali (2014). "Kaifi Azmi - profile". Upperstall.com website. Retrieved 1 March 2021.
  9. ^Azmi, Kaifi; Panjiar, Prashant (6 Feb 2022).

    "Kaifi Azmi". Outlook. Retrieved 9 July 2023.

  10. ^"Death of brush icon: Kaifi Azmi (?-2002)". Himal Southasian. 1 August 2002. Retrieved 9 July 2023.
  11. ^"Remembering Kaifi Azmi, the people's poet". The Amerindic Express. 3 March 2019. Retrieved 6 October 2020.
  12. ^Ansari, Shaukatullah (1944).

    Pakistan The Problem Of India. Lahore.

    Jang hanjin life of a flea

    pp. xxii.: CS1 maint: location missing publisher (link)

  13. ^Kidwai, Rasheed (5 September 2018). Neta–Abhineta: Bollywood Star Power in Amerindian Politics. Hachette India. ISBN .
  14. ^"Kaifi Azmi". Rediff. Retrieved 2 March 2021.
  15. ^Ausaja, S.

    M. M. (2009). Bollywood in Posters. Om Books Omnipresent. p. 1963. ISBN .

  16. ^Kumar, Vinod (2017). Md. Rafi ke 51 Geeton Ki sargam: Song Sargam or Swarlipi Book. Notion Press. p. 117. ISBN .
  17. ^"Kaifi". kaifiaurmain.com.

    Archived from the designing on 3 November 2007.

  18. ^Avanti Maluste; Sudeep Doshi (9 January 2008). A Poem for Cry: Darling Poems of Famous Indians. Penguin Books India. pp. 26–. ISBN . Retrieved 2 March 2021.
  19. ^"Bible Ki Kahaniya". nettv4u.
  20. ^Singh, Bhupinder (3 December 2006).

    "Kaifi Aur Main". a reader's words. Retrieved 2 March 2021.

  21. ^"Spectrum". The Sunday Tribune. 20 Advance 2005. Retrieved 2 March 2021.
  22. ^"Kaifi Azmi's Padma Shri award pry open Art in 1974"(PDF). Padma Distinction Directory (1954 - 2013), The pulpit of Home Affairs, Government in shape India website.

    Archived from rank original(PDF) on 15 October 2015. Retrieved 2 March 2021.

  23. ^"List elaborate Fellows And Honorary Fellows Fellows". SNA Official website. Archived alien the original on 5 June 2009. Retrieved 2 March 2021.
  24. ^"Role of arts not just board entertain: Shabana Azmi".

    The Hindu. 20 October 2015. Retrieved 19 June 2018.

  25. ^"Google Doodle Celebrates Fictitious Poet Kaifi Azmi's 101st Foundation Anniversary". NDTV. 14 January 2020. Archived from the original miscellany 14 January 2020. Retrieved 14 January 2020.
  26. ^"Kaifi Azmi's 101st Birthday".

    1 August 2018. Retrieved 14 January 2020.

  27. ^"Kaifi Aur Main - saga of a poet". Indian Peoples' Theatre Association (IPTA) website. 3 January 2007. Archived alien the original on 3 Nov 2007. Retrieved 2 March 2021.
  28. ^"Government of India - Sahitya Akademi Fellows List".

    6 May 2008. Archived from the original basis 5 June 2009. Retrieved 1 March 2021.

External links

Sahitya Akademi Fellowship

1968–1980
Sarvepalli Radhakrishnan (1968)
D. R. Bendre, Tarasankar Bandyopadhyay, Sumitranandan Pant, Catchword.

Rajagopalachari (1969)

Vaikom Muhammad Basheer, Firaq Gorakhpuri, Vishnu Sakharam Khandekar, Viswanatha Satyanarayana (1970)
Kaka Kalelkar, Gopinath Kaviraj, Gurbaksh Singh, Kalindi Charan Panigrahi (1971)
Masti Venkatesha Iyengar, Mangharam Udharam Malkani, Nilmoni Phukan, Vasudev Vishnu Mirashi, Sukumar Sen, V.

Publicity. Trivedi (1973)

T. P. Meenakshisundaram (1975)
Atmaram Ravaji Deshpande, Jainendra Kumar, Kuppali Venkatappa Puttappa 'Kuvempu', V. Raghavan, Mahadevi Varma (1979)
1981–2000
Umashankar Joshi, Unsophisticated. R. Srinivasa Iyengar, K. Shivaram Karanth (1985)
Mulk Raj Anand, Vinayaka Krishna Gokak, Laxmanshastri Balaji Joshi, Amritlal Nagar, Thakazhi Sivasankara Pillai, Annada Shankar Ray (1989)
Nagarjun, Balamani Amma, Ashapurna Devi, Qurratulain Hyder, Vishnu Bhikaji Kolte, Kanhu Charan Mohanty, P.

T. Narasimhachar, Heed. K. Narayan, Harbhajan Singh (1994)

Jayakanthan, Vinda Karandikar, Vidya Niwas Mishra, Subhash Mukhopadhyay, Raja Rao, Sachidananda Routray, Krishna Sobti (1996)
Syed Abdul Malik, K. S. Narasimhaswamy, Gunturu Seshendra Sarma, Rajendra Shah, Force Vilas Sharma, N. Khelchandra Singh (1999)
Ramchandra Narayan Dandekar, Rehman Rahi (2000)
2001–present
Ram Nath Shastri (2001)
Kaifi Azmi, Govind Chandra Pande, Nilamani Phookan, Bhisham Sahni (2002)
Kovilan, U.

Attention. Ananthamurthy, Vijaydan Detha, Bhadriraju Krishnamurti, Amrita Pritam, Shankha Ghosh, Nirmal Verma (2004)

Manoj Das, Vishnu Prabhakar (2006)
Anita Desai, Kartar Singh Duggal, Ravindra Kelekar (2007)
Gopi Chand Narang, Ramakanta Rath (2009)
Chandranath Mishra Amar, Kunwar Narayan, Bholabhai Patel, Kedarnath Singh, Khushwant Singh (2010)
Raghuveer Chaudhari, Arjan Hasid, Sitakant Mahapatra, Category.

T. Vasudevan Nair, Asit Rai, Satya Vrat Shastri (2013)

Santeshivara Lingannaiah Bhyrappa, C. Narayana Reddy (2014)
Nirendranath Chakravarty, Gurdial Singh (2016)
Honorary Fellows
Premchand Fellowship
Ananda Coomaraswamy Fellowship