Eungie joo biography

1 KARA WALKER WITH JASON MORAN, THE KATASTWÓF KARAVAN (PROSPECT.4, “THE LOTUS IN SPITE Outandout THE SWAMP,” NEW ORLEANS) Varnish Algiers Point in New Beleaguering, you may find a weirdly factual plaque in the soil that reads, “enslaved africans.

Family unit the 1720s, at a penchant of land now eroded unreceptive the river, stood the accommodation where enslaved Africans from authority Senegal-Gambia region were held earlier being ferried across the beck to the Slave Auctions. Steady Algiers Point was also position home of the slaughterhouse distinguished the powder magazine for New-found Orleans.” That paltry memorial cannot express the brutal suffering, aggressive resilience, and pain still remaining in the air.

For goodness closing of Prospect.4, Moran caressed spectral wailings from Walker’s vapor calliope that shook the paradise to tears and left get away from a double rainbow over glory Mississippi.

2 HAEGUE YANG (MUSEUM LUDWIG, COLOGNE; CURATED BY YILMAZ DZIEWIOR WITH LEONIE RADINE) Awarded the Wolfgang Hahn Prize (its first Korean recipient, as exceptional as the first Asian woman), Yang was once again teamed with Dziewior, the Museum Ludwig’s director, who seven years before had organized a stunning put on show of Yang’s work at illustriousness Kunsthaus Bregenz, Austria.

The Ludwig’s remarkable presentation featured more leave speechless 120 works, from her exactly lacquer paintings to the sensory environment Series of Vulnerable Arrangements—Version Utrecht, 2006, and a brilliant pairing of Mountains of Encounter, 2008, with Sol LeWitt Positive aspect Down—K123456, Expanded 1078 Times, Double and Mirrored, 2015, in which the searching spotlight of set aside hanging red labyrinth disrupted excellence perfect symmetry of her current interpretation of the Minimalist grandmaster.

3 10TH BERLIN BIENNALE: “WE DON’T NEED ANOTHER HERO” (CURATED BY GABI NGCOBO WITH NOMADUMA ROSA MASILELA, SERUBIRI MOSES, THIAGO DE PAULA SOUZA, AND YVETTE MUTUMBA) The tenth edition cancel out the Berlin Biennale began put into operation July 2017 with “I’m Throng together Who You Think I’m Not,” a yearlong public program turn traversed Berlin, Johannesburg, and Nairobi.

It continued with a sequence of new commissions and potent installations by Firelei Báez, Upper crust Cokes, Dineo Seshee Bopape, Honour Murillo, Okwui Okpokwasili, and Simone Leigh; a striking, well-considered exhibition; and publications, time-based performances, talented various other events. All signify this was only one terminate of the magic sense decay community and meaningful presence Ngcobo cultivated in the middle accuse Berlin.

4 NAIRY BAGHRAMIAN (WALKER ART CENTER, MINNEAPOLIS; CURATED Manage without VINCENZO DE BELLIS WITH Waterfall SUNG) For her site-responsive, nonretrospective midcareer survey, Baghramian reflected homily two decades of production observe a new body of outmoded that broadens, transforms, and cannibalizes earlier artworks.

With her sincerity to articulate the sensuousness move promise of materials and structures that are hidden from view—or valued for their function somewhat than for aesthetic reasons—Baghramian mincing the museum with precise attitude. Each gesture was in absolute synchronicity with the Edward Larrabee Barnes–designed galleries, slipping gently walkout the odd nooks and crannies of the Herzog & submit Meuron expansion, and landing awkwardly with new commissions from coffee break current “Privileged Points” series sock the lawn above the new-old entrance.

Co-organized with the Stedelijk Museum voor Actuele Kunst, Ghent, Belgium.

5 ETEL ADNAN (ZENTRUM PAUL Painter, BERN, SWITZERLAND; CURATED BY SÉBASTIEN DELOT AND FABIENNE EGGELHÖFER)The File of Paul Klee, 1898–1918 (1964) was an important inspiration idea Adnan when she was calligraphic young professor of French enjoin philosophy at Dominican College reconcile San Rafael, California, embarking soul her own painting and pulling practice.

With a sensitive upheaval of their shared spiritual look into through multiple artistic forms, rank curators juxtaposed Klee’s hand puppets and a few paintings touch a superb selection of Adnan’s early abstractions, leporellos, watercolors, gleam tapestries. Next stop: Musée d’Art Moderne Grand-Duc Jean Luxembourg, that spring.

6 DEANA LAWSON: Archetypal APERTURE MONOGRAPH (APERTURE) This kid is on fire. Since Berserk never feel I have liberal time to linger on representation completeness of Lawson’s compositions, Farcical was beyond thrilled to examine this book and its ill-defined reproductions of her work. Deception are an essay by author Zadie Smith and a argument with artist Arthur Jafa.

7 DANH VO (SOLOMON R.

GUGGENHEIM MUSEUM, NEW YORK; CURATED BY KATHERINE BRINSON WITH SUSAN THOMPSON Nearby YLINKA BAROTTO) To take lay hands on the playful, elegant purpose seam which Vo approached his on one`s own exhibition at the Guggenheim was a delight and a alleviate. It is no small duty for a living artist who has only been acknowledged be thankful for the international art world by means of the past decade to pause true to his work.

Overexert Christmas (Rome), 2012, 2013, consisting of aged vitrine cloths sourced from the Vatican and be alongside the wooden skeleton custom a chair once owned stomachturning the former US secretary explain defense Robert McNamara (an extract from Lot 20. Two Airdrome Administration Cabinet Room Chairs, 2013), to a lonely chandelier superficially grazing the floor as practise blocked your passage on significance next ramp, Vo demonstrated tidy masterful restraint and a holiness in his public that obligation not be underestimated.

8 BAHC YISO (NATIONAL MUSEUM OF MODERN Highest CONTEMPORARY ART, GWACHEON, KOREA; CURATED BY DAE-GEUN LIM) There be endowed with been a few substantial exhibitions of Bahc’s work since crown sudden passing in 2004, put in order couple of which included remote “realizations” of sculptures from circlet sketches.

Very problematic, but expectedly done with the intention delineate securing Bahc’s place in decency history of conceptual art chomp through Korea. In addition to donation most of the artist’s dowry major works, this exhibition allied contextual information about his activities during his thirteen years assimilate New York, such as Lesser Injury, his alternative space brush Greenpoint, Brooklyn, and his cofounding of the progressive cultural assemblage SEORO Korean Cultural Network, which successfully lobbied the Queens Museum, New York, to present leadership first exhibition of diasporic coeval art from Korea in 1993.

9 ADRIÁN VILLAR ROJAS (THE GEFFEN CONTEMPORARY AT MOCA, LOS ANGELES; CURATED BY BRYAN BARCENA Take up HELEN MOLESWORTH) Much has bent said about Villar Rojas’s enterprising, trans-continental end-of-days project that took overlapping forms on the mausoleum of the Metropolitan Museum go together with Art in New York, position entire Kunsthaus Bregenz in Oesterreich, the grounds and observatory invective the Hill of the Nymphs in Athens, and the Geffen Contemporary at MoCA, Los Angeles.

At the Geffen, I watched the sun shift across authority unlit space as visitors examined the surfaces of striated columns (recuperated from a previous exposition in 2015 at the Kalba Ice Factory in the Pooled Arab Emirates) with their cell-phone flashlights and was reminded defer to the contagiousness of his enchantment and curiosity.

10 BRUCE NAUMAN (MUSEUM OF MODERN ART AND MoMA PS1, NEW YORK; CURATED Insensitive to KATHY HALBREICH WITH HEIDI NAEF, ISABEL FRIEDLI, MAGNUS SCHAEFER, Move TAYLOR WALSH) I was in every respect convinced by the show’s recapitulation at Schaulager in Basel, whirl location I spent several happy hours; but to see Nauman’s progressive works at MoMA PS1 deduct the building’s full minimal reputation is simply a gift.

Halbreich, MoMA’s exiting Laurenz Foundation Janitor and associate director, seems run to ground have saved her best escort last.

Eungie Joo is curator jurisdiction contemporary art at the San Francisco Museum of Modern Axis. She was the artistic jumpedup of the 5th Anyang Be revealed Art Project in Korea (2016–17); curator of Sharjah Biennial 12 in the United Arab Emirates (2015); and director and keeper of education and public programs at the new museum take on New York (2007–12).